Principles of Graphology
Principles
Principles of Graphology
- The Principle of Balance - Balance in the analyzer. Sensible.
- The Principle of Exaggeration - When exaggeration is present the opposite is true.
- The Principle of Dilution - The positive and negative trait of equal intensity dilute one another.
- The Principle of Enhancement - Both positive traits will enhance the character.
- Look far and get it close.
- The study should be non judgmental. We are handwriting analyst not handwriting advisers.
- Take the human angle during analysis.
- In analysis you cannot compare. Do not analyze other people's writings.
- Principle of Perception - Its their perception.
- A good graphologist analyzes handwriting one to one.
- Do not restrict to words or meaning. Go by structures in graphology.
Tip: In graphology the text content aka what is written is mostly irrelevant, sometimes, context is relevant when only a single word changes slant, for example. Then what is written can be noted.
Tip: Freud broadly applied the principle that when something is overdone, it actually means the opposite – you are compensating for that which you feel you lack.
“Normal is an illusion. What is normal for the spider is chaos for the fly.” - Charles Addams
Two Opposites
- When two opposite things are present, both traits are present and true.
- The qualitative achievement pattern will be low.
- The consistency is lost. The rate of success will be lower than capacity.
Finger viz Wrist Writing
- Writing on a board will be less revealing that on a paper.
- On paper its fingers and on board its wrist/elbow.
- Fingers have more space in the brain.
Tip: Whenever you see awkward formations, look at the total picture
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